Product Description
Korg has collaborated with the legendary mixer design team of Greg Mackie and Peter Watts to create hybrid/analog mixing consoles that make creative mixing easy. Both the 24- and 16-channel models give you instant analog control for live mixing with stunning sound quality and more musician-friendly features than the competition Ñ paired with the power of high-quality digital where it counts. Features: * True hybrid design developed with mixer design legends Greg Mackie and Peter Watts * 24 x 8 x 2 or 16 x 8 x 2 models feature practical design structure and ingenious features that make mixing unpredictable live performances easy even for novices * Peter Watts-designed HiVolt mic preamps, with the most headroom of any comparably-priced analog or digital mixer * Unique Musician's Phones Monitor Section for fast, one-knob boost of a musician's mix without having to change Aux or Main mix * Only mixer in its class with Mute Groups to create various input combinations of musicians or parts of a church service * True 8-bus configuration makes SoundLink perfect for recording as well as live mixing musicians, different parts of a church service, or cues during a theater production * Peter Watts' refined, studio-grade, one-knob Compressor on all mic channels * Super-useful touches such as best-in-class Feedback control system, all-XLR speaker outputs, 31-band Spectrum Analyzer, and enhanced Break system * 20 of Korg's renowned 32-bit digital effects Ñ 10 at once with recallable parameters * Premium components including Velvet Soundª A/D & D/A converters and silky-smooth, long-life ALPS¨ faders and rotary controls Analgoue * Input Type: Balanced female XLR and _Ó TRS *HiVolt Microphone Preamp:-128dBu E.I.N, -10 to -60 dBU nominal input level; 3KO input impedance *Frequency Response to Main Output (at unity gain): +0.5 to -1.5 dBu 20Hz to 20kHz *Frequency Response to Main Output (at unity gain): +0.5 to -1.5 dBu 20Hz to 20kHz *Main Outputs: Balanced male XLR and _Ó TRS *Maximum Output Level: +26 dBu *Output Impedance: 75 O *Headphone Output: 100 mW / ch.@ 32O load, 20 Hz-20 kHz (+0.5dB, -1.5dB) Control: * Savable Settings: Channel Mutes, Effects & effects Mutes, Mute Groups, Break settings, Dynamics, Graphic EQ, Feedback assign to buss *Recallable Presets: four Mute Groups, 10 Global Scene Memories, 24 FX Memories, 10 Dynamics, 6 GEQ, 16 or 24Channel Mutes, 3 Feedback bus assignments Signal: *Mono Channels: HI (12k, shelving), MID (peak, sweepable from 250hz to 5k) and LO (100 Hz, shelving), ±15dB boost/cut; *Stereo Channels:HI (12k shelving), HI MID (2.5k shelving), LO MID (250 hzshelving) and LO (100Hz shelving) *100Hz shelving)?High Pass Filter: 12dB/octave at 80Hz Digital: Main L/R Bus ADC Dynamic Range: 115dB (A-wtd)?Aux and FX Buses ADC Dynamic Range: 111dB (A-wtd) *DACDynamic Rangefor all Out buses: 115dB (A-wtd) *USB Stereo Input / Recording Port: USB Class 1 * Internal Processing: 32-bitfor internal processing; *A/D/A Bit Depth: Korg Tru-Bit-Perfect 32-bit * USB Bit Depth: 24-bit * Sampling rates: 48 kHz, 44.1 kHz * Digital Effects: Rev Hall, Rev Hall Warm, Room, Warm Room, Rev Vocal, Rev Vocal Warm, Stage, Stage Warm, Plate Reverb, Plate Reverb Warm, Spring Reverb Warm, Analog Delay, Tape Echo, Variable Delay, Delay of the Korg SDD3000, Chorus, Flanger, Exciter, Sub Bass booster, 1 kHZ Test Tone, Slow Sweep, Fast Sweep, White or Pink Noise Dimensions: Dimensions(WxHxD):; MW-1608: 15.6Óx 7.36Óx 20.89" / 396 mm x 187 mmx530 mm(10.6Ó / 256 mm wide without side panels;) MW-1608: 17.6 lbs/8.0kg
